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2008
“
Joseph Calleja made an impact with just the first few lines of his opening aria, ‘Recondita armonia’“
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John T. Hughes (
www.classicalsource.com Limited)
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“
She [Ailyn Pérez] has a voice of unworn purity…………. “
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John Steane (Opera Now May/June 08)
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'Stephen Costello and Ailyn Pérez are two of the most exciting and distinctive young singers talents to have emerged from the US…'
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Yehuda Shapiro (Opera Now May/June 08)
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“The recital of Italian songs and arias by baritone Gabriele Viviani, accompanied by Simon Lepper at St John’s, Smith Square on 12 December, was fully up to the high standards of this incomparable Rosenblatt Recitals series of vocal programmes….“
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Robert Matthew-Walker (Musical Opinion March/April 2008)
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“A succulent menu of operatic bonnes bouches was served at this recital by Stephen Costello and Ailyn Pérez…Pérez has nothing to fear. The voice, simultaneously honeyed and tensile, can float seamlessly or take on darker, more saturated hues. Leila’s ‘Comme autrefois’ was exquisitely delivered in excellent French, while Violetta’s Act 1 scena was both virtuosic and alive to every emotional nuance. Costello has a voice composed of softly glowing layers around an incandescent core.” Opera, March 2008.
Opera Magazine, March 2008.
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“Rosenblatt’s song recital series are fast establishing themselves as must-see events.” BBC
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Ian Rosenblatt
reviewed by:
Oliver Condy (BBC Music Magazine) Mar 2008
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2007
"The young tenor Francesco Meli left us with an keener appetite for more, indeed with a conviction that he could have sung all night…a voice which at present thrillingly incisive and resilient."
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Francesco Meli
reviewed by:
John Steane (Opera Now) Sep 2007
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Francesco Meli reviewed by Robert Matthew-Walker (Musical Opinion) July 2007
Alexia Voulgaridou reviewed by Robert Matthew-Walker (Musical Opinion) July 2007
A Donkova & M Giordani at Cadogan Hall Max Harrison (Musical Opinion) July 2007
Anthony Michaels-Moore reviewed by Robert Matthew-Walker (Musical Opinion) July 2007
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"His recital was a joy, with singing the most beautiful of its kind heard in recent years…this was an artist of rare quality, moulding his phrases like a master of the old school, delighting the ear with some special revelation in every item."
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Maxim Mironov
reviewed by:
John Steane (Opera Now) May 2007
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"A truly brilliant performance of Rodrigo’s death scene from Don Carlo, the likes of which I may never hear again, brought many in the audience to their feet…It was a pleasure to watch and listen to a master at work."
Dominic McHugh (www.musicalcriticism.com) Apr 2007
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"Now in their seventh series, these monthly vocal programmes have introduced countless promising young artists from around the world."
Martin Hoyle (Time Out) Feb 2007
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"Long, sinuous phrasing, warm tone and a sophistication that touches everything she sings…this audience was enthralled."
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Nicole Cabell reviewed by:
Hilary Finch (The Times) Feb 2007
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"The Rosenblatt Recital Series, one of the few ‘must-hear’ events in London’s crowded musical life.”
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Michele Pertusi reviewed by:
Robert Matthew-Walker (Musical Opinion) Mar 2007
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"His Attila made me wish I had heard more of his Verdi, while the pathos and emotion of his Neapolitan songs were exquisitely judged."
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Michele Pertusi
reviewed by:
Andrew Clark (Financial Times) Jan 2007
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Nicole Cabell reviewed by Robert Matthew-Walker (Musical Opinion) May 2007.............. Read more
Tomislav Musek reviewed by Robert Matthew-Walker (Musical Opinion) May 2007.............. Read more
Maxim Mironov reviewed by Margaret Davies (Musical Opinion) Mar 2007.............. Read more
2006
"One of the greatest singers of Italian bel canto of the past 30 years…she looks up, closes her eyes, summons all her powers of concentration, and produces this lovely line in which musical and emotional truth are absolutely one.”
June Anderson reviewed by:
Ivan Hewett (Daily Telegraph) Nov 2006
The enthusiastic and redoubtable Ian Rosenblatt arranged a second visit to St John’s [for Lorenzo Regazzo)…another enjoyable evening in this estimable series."
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Lorenzo Regazzo reviewed by:
John Hughes (Classical Source) Jul 2006
"Velvet in tone, immaculate in tuning, perfectly modulated in dynamics, smooth and even throughout the range, this is a Rolls Royce voice. It purrs, it powers and you never once sense the gear changes…Ian Rosenblatt should take great pride in once again introducing a major talent to England concert goers."
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Maria José Montiel reviewed by:
Christopher Webber (CD Magazine) Feb 2006
Mirco Palazzi & Vincenzo Scalera reviewed by John T Hughes (Classical Source) May 2006
Rocío Ignacio & Jorge de León reviewed by Andrew Lamb Apr 2006
2004
"...he’s magnificent. All the O’Neill magic and dramatic greatness was there.”
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Dennis O’Neill reviewed by:
Roderic Dunnett (The Independent) Jun 2004
"Once again it has been the Rosenblatt Recital series at St John’s, Smith Square, that have provided best value for the lover of singing."
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John Steane (Opera Now) May/Jun 2004
"Singertalk" review by John Steane (Gramaphone) Mar 2004
Sonia Ganassi reviewed by John T Hughes (Classical Source) Feb 2004
Irina Mataeva & Hui He reviewed by John Steane (Opera Now) May 2004
2003
"I had the most perfect evening late in October at one of the Rosenblatt Series recitals at St John’s, Smith Square. It featured two of the loveliest voices I’ve heard in years…I was mesmerised. I can’t forget the sound of their voices."
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Anastasia Belyaeva/Vladislav Sulimsky reviewed by:
Andrew O’Hagen (Daily Telegraph) Dec 2003
BBC Singer of the World 2003 various reviews Jun/Jul 2003
Ailish Tynan reviewed by John Steane (Opera Now) May 2003
2002
Mirco Palazzi reviewed by John T Hughes (The Classical Source) Dec 2002
"[Ian Rosenblatt] has won a reputation as a provider of some of the most remarkable vocal concerts and recitals that the capital has witnessed in years."
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George Hall (The Singer) Oct 2002
Jyrki Korhonen & Juha Uusitalo reviewed by John Steane (Opera Now) Sep 2002
Juan Diego Flórez reviewed by John Steane (Opera Now) Sep 2002
Juan Diego Flórez reviewed by Hilary Finch (The Times) May 2002
Juan Diego Flórez reviewed by Melanie Eskanazi (Seen & Heard) May 2002
Laura Giordano reviewed by John Steane (Opera Now) Mar 2002
Kenneth Tarver & Marius Brenciu reviewed by John Steane (Opera Now) Mar 2002
Carlos Álvarez reviewed by Hilary Finch (The Times) Feb 2002
Carlos Álvarez reviewed by Edward Halstead (Zarzuela Music) Feb 2002
"Come on you Opera Singers" reviewed by Jane Wright (The Camden Journal) Jan 2002
2001
Liao Changyong reviewed by John Steane (Opera Now) Jan 2001
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